{"id":194,"date":"2016-10-28T11:52:49","date_gmt":"2016-10-28T09:52:49","guid":{"rendered":"http:\/\/theatreinprogress.ch\/?page_id=194"},"modified":"2025-07-20T19:45:37","modified_gmt":"2025-07-20T17:45:37","slug":"simon-hagemann","status":"publish","type":"page","link":"https:\/\/theatreinprogress.ch\/?page_id=194","title":{"rendered":"Simon Hagemann"},"content":{"rendered":"<p>Docteur en \u00e9tudes th\u00e9\u00e2trales (Universit\u00e9 Sorbonne Nouvelle Paris 3) et Ma\u00eetre de conf\u00e9rences dans le d\u00e9partement de l&rsquo;information et de communication de l\u2019Universit\u00e9 de Strasbourg. Il est \u00e9galement l\u2019auteur de <em>Penser les m\u00e9dias au th\u00e9\u00e2tre. Des avant-gardes historiques aux sc\u00e8nes contemporaines<\/em> (Harmattan, 2013) et membre actif du groupe de travail \u00ab\u00a0Intermediality in Theatre and Performance\u00a0\u00bb de la FIRT. En janvier 2024, il co-signe avec Izabella Pluta <em>Quels r\u00f4les pour le spectateur \u00e0 l&rsquo;\u00e8re num\u00e9rique?<\/em>, une monographie publi\u00e9e chez Epist\u00e9m\u00e9 (Lausanne). En novembre 2024, il co-dirige l&rsquo;ouvrage collectif <em>Live Performance and Video Games<\/em>, avec R\u00e9jane Dreifuss et Izabella Pluta (transcript).<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Docteur en \u00e9tudes th\u00e9\u00e2trales (Universit\u00e9 Sorbonne Nouvelle Paris 3) et Ma\u00eetre de conf\u00e9rences dans le d\u00e9partement de l&rsquo;information et de communication de l\u2019Universit\u00e9 de Strasbourg. Il est \u00e9galement l\u2019auteur de Penser les m\u00e9dias au th\u00e9\u00e2tre. Des avant-gardes historiques aux sc\u00e8nes contemporaines (Harmattan, 2013) et membre actif du groupe de travail \u00ab\u00a0Intermediality in Theatre and Performance\u00a0\u00bb&hellip; <\/p>\n<p class=\"toivo-read-more\"><a href=\"https:\/\/theatreinprogress.ch\/?page_id=194\" class=\"more-link\">Lire la suite <span class=\"screen-reader-text\">de<\/span> <span class=\"screen-reader-text\">Simon Hagemann<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=\/wp\/v2\/pages\/194"}],"collection":[{"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=194"}],"version-history":[{"count":4,"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=\/wp\/v2\/pages\/194\/revisions"}],"predecessor-version":[{"id":2139,"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=\/wp\/v2\/pages\/194\/revisions\/2139"}],"wp:attachment":[{"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=194"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}