{"id":2069,"date":"2024-01-14T18:28:00","date_gmt":"2024-01-14T16:28:00","guid":{"rendered":"https:\/\/theatreinprogress.ch\/?p=2069"},"modified":"2024-10-14T18:47:59","modified_gmt":"2024-10-14T16:47:59","slug":"monographie-publiee-par-nos-collaborateurs","status":"publish","type":"post","link":"https:\/\/theatreinprogress.ch\/?p=2069","title":{"rendered":"Monographie publi\u00e9e par nos collaborateurs"},"content":{"rendered":"\n<p>Simon Hagemann et Izabella Pluta ont sign\u00e9 <span style=\"color:#fa9d00\" class=\"has-inline-color\">\u00ab\u00a0<strong>Quels r\u00f4les pour le spectateur \u00e0 l&rsquo;\u00e8re num\u00e9rique?<\/strong>\u00ab\u00a0<\/span>, monographie publi\u00e9e chez Epist\u00e9m\u00e9 (EPFL) le 4 janvier 2024 dans la s\u00e9rie \u00ab\u00a0Questions de th\u00e9\u00e2tre\u00a0\u00bb. La publication a \u00e9t\u00e9 r\u00e9alis\u00e9e avec le soutien de l&rsquo;Universit\u00e9 de Lausanne pour le format Open access gold (https:\/\/www.epflpress.org\/produit\/1480\/9782889155699\/quels-roles-pour-le-spectateur-a-l-ere-numerique).<\/p>\n\n\n\n<p><strong>R\u00e9sum\u00e9 du livre<\/strong><\/p>\n\n\n\n<p>\u00ab\u00a0Quels r\u00f4les pour le spectateur \u00e0 l\u2019\u00e8re num\u00e9rique ?\u00a0\u00bb explore les notions capitales du champ th\u00e9\u00e2tral que sont la perception, l\u2019immersion, la participation, l\u2019interactivit\u00e9 ou l\u2019\u00e9mancipation. Il examine \u00e9galement la relation du spectacle vivant avec des techniques ou des formes m\u00e9diatiques sp\u00e9cifiques telles que l\u2019intelligence artificielle ou les jeux vid\u00e9o. Il propose l\u2019analyse de multiples figures du spectateur tel qu\u2019un \u2018spectateur-immersant\u2019 ou un \u2018spectateur-joueur\u2019. Plusieurs spectacles internationaux sont analys\u00e9s ici, sign\u00e9s par Blast Theory, CREW, machina eX, Signa, Or Normes, IN VIVO, RGB Project, Extraleben, Cie Yan Duyvendak, entre autres. Ce livre est destin\u00e9 autant \u00e0 des chercheurs en \u00e9tudes th\u00e9\u00e2trales, \u00e0 des analystes de l\u2019arts contemporains, \u00e0 des sp\u00e9cialistes en sociologie de l\u2019art qu\u2019\u00e0 des \u00e9tudiants en th\u00e9\u00e2tre, en lettres et ceux qui \u00e9tudient les jeux vid\u00e9o. Un spectateur passionn\u00e9 par le th\u00e9\u00e2tre contemporain y trouvera \u00e9galement plusieurs informations et rep\u00e8res.<\/p>\n\n\n<p><img loading=\"lazy\" class=\"wp-image-2077 aligncenter\" src=\"https:\/\/theatreinprogress.ch\/wp-content\/uploads\/2024\/10\/Couverture_1page_Hagemann-Pluta.png\" alt=\"\" width=\"680\" height=\"859\" srcset=\"https:\/\/theatreinprogress.ch\/wp-content\/uploads\/2024\/10\/Couverture_1page_Hagemann-Pluta.png 876w, https:\/\/theatreinprogress.ch\/wp-content\/uploads\/2024\/10\/Couverture_1page_Hagemann-Pluta-238x300.png 238w, https:\/\/theatreinprogress.ch\/wp-content\/uploads\/2024\/10\/Couverture_1page_Hagemann-Pluta-811x1024.png 811w, https:\/\/theatreinprogress.ch\/wp-content\/uploads\/2024\/10\/Couverture_1page_Hagemann-Pluta-768x970.png 768w\" sizes=\"(max-width: 680px) 100vw, 680px\" \/><\/p>\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Simon Hagemann et Izabella Pluta ont sign\u00e9 \u00ab\u00a0Quels r\u00f4les pour le spectateur \u00e0 l&rsquo;\u00e8re num\u00e9rique?\u00ab\u00a0, monographie publi\u00e9e chez Epist\u00e9m\u00e9 (EPFL) le 4 janvier 2024 dans la s\u00e9rie \u00ab\u00a0Questions de th\u00e9\u00e2tre\u00a0\u00bb. La publication a \u00e9t\u00e9 r\u00e9alis\u00e9e avec le soutien de l&rsquo;Universit\u00e9 de Lausanne pour le format Open access gold (https:\/\/www.epflpress.org\/produit\/1480\/9782889155699\/quels-roles-pour-le-spectateur-a-l-ere-numerique). R\u00e9sum\u00e9 du livre \u00ab\u00a0Quels r\u00f4les pour&hellip; <\/p>\n<p class=\"toivo-read-more\"><a href=\"https:\/\/theatreinprogress.ch\/?p=2069\" class=\"more-link\">Lire la suite <span class=\"screen-reader-text\">de<\/span> <span class=\"screen-reader-text\">Monographie publi\u00e9e par nos collaborateurs<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":2076,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[241,134,240,73,242,244,243,141],"_links":{"self":[{"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=\/wp\/v2\/posts\/2069"}],"collection":[{"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2069"}],"version-history":[{"count":9,"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=\/wp\/v2\/posts\/2069\/revisions"}],"predecessor-version":[{"id":2084,"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=\/wp\/v2\/posts\/2069\/revisions\/2084"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=\/wp\/v2\/media\/2076"}],"wp:attachment":[{"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2069"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2069"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/theatreinprogress.ch\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2069"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}